Have you read back?any thoughts?

Kitara are you still here?

peyton sinclair 9
female officer 9

peyton attacks

Hi

AC is my savior

Watching the stablemaiden start to remove my gear
i feel that kiss on my nose and nod
clearly thrilled from the encounter and glowing

Buffalo

(please guide me with the marking system)

larl sat on the steps of the wagon and with needle in hand began mending the leathers her Master tore in the woods on the way to the stream where we bathed just a day ago...(( Rti)

Once we get back to the shed
we are met by a stablemaiden
She is told to remove your tack then let you get dressed

~If you return we can try a full body harness
kissing you on the nose
running to my car

oh my god she is on me and laying over me
i slipped out to the left trying to make sure she lands face into the grass
whoooooooooooooooooooooooooooooooooops
a side ways shift attempted
 

I really love the late 19th and early 20th century nationalist English composers like Ralph Vaughan Williams, John Ireland, Arnold Bax, Gustav Holt, and most especially Gerald Finzi. Last semester we were given an assignment to compose a melody in a modal scale and I chose the Dorian mode, and set it on solo flute. I've posted it here, but here it is, again.

https://soi-gabrieli.hyperchat.com/Harmony4-ModalTune-Project1.mp3

The very first thing I wrote as an adult was another modal tune, which I set for oboe, flute (or clarinet) and piano. We played it at church for Easter a few years ago. The tune is inspired by the Wexford Carol, which is a very ancient Irish melody, adopted throughout the UK and North America.

It occurred to me that I could marry the two, and with some study, I could create a particularly English piece for strings. THEN it occurred to me that with a little bit of study about how Gerald Finzi orchestrated things, I could make it a tribute to one of my favorite composers. So ....I've started. I think it will be about eight minutes long.

Here's the introduction. This is all Me...my composition after taking a hard look at the opening to Gerald Finzi's Romance in E for String Orchestra, I came up with this:

https://soi-gabrieli.hyperchat.com/OrchestraandOrchard-introduction.mp3

This is just the introduction, but my gut tells me I'm off to a good start.

Churn

I just got home from work need a shower and something to eat

deep brown eyes scanning the horizon hoping to get a glimpse of His kaiila...she frowned not seeing Him...it wasn't as if he weren't out there...He was just lost among the bosk and the outriders,,,,slipping inside and fetching the bone needle, thread and the leathers she'd started with..before He started getting frisky taking His slut to the furs....she smiled thinking about the night and how He made her feel

Livingroom
Again that low rumble of agreement.

You make it easy for him to shift to set his dickhead exactly where he wants it. where you want it.

But he's not moving, not yet. Not while he licks and bits his way from your shoulder, along your neck and jaw to your mouth.

It's when he's got your mouth is when he drive into your ass. One solid thrust matched with a muffled moan.

I will be around later.
I have to grab a shower.

Leaves you a kiss and hug before Iv go

So honey how's voda doing?

*blows a kiss to the lurker outside the bar window*

hi.... yes...

Humps